Dr.RITA GHANSHYAMSINH SODHA

Department           Department of Art History and Asthetics

Contact No           9427301153

Email Id               sodha.rita-aha@msubaroda.ac.in

Faculty                Faculty of Fine Arts

Designation         Assistant Professor

Education Details

EducationUniversity NameStatePassing Year
PhDFACULTY OF FINE ARTS, (ART HISTORY & AESTHETICS), THE MAHARAJA SAYAJIRAO UNIVERSITY OF BARODA, VADODARAGUJARAT7-2002
Graduate DiplomaFACULTY OF PERFORMING ARTS, (SITAR) THE MAHARAJA SAYAJIRAO UNIVERSITY OF BARODA, VADODARAGUJARAT4-2000
SRF ( UGC )UGC, INDIAGUJARAT6-1994
JRF ( UGC )UGCUGC/INDIA6-1992
Post GraduateFACULTY OF FINE ARTS, (ART HISTORY & AESTHETICS), THE MAHARAJA SAYAJIRAO UNIVERSITY OF BARODA, VADODARAGUJARAT5-1991
GraduateFACULTY OF FINE ARTS, (PAINTING) THE MAHARAJA SAYAJIRAO UNIVERSITY OF BARODA, VADODARAGUJARAT4-1988

Experience Detail

Employer NameDesignationNature of JobStart DateEnd DateCurrently Working
MAHARAJA SAYAJIRAO UNIVERSITY OF BARODA, VADODARAASSISTANT PROFESSORTeaching7-1-2014--
MAHARAJA SAYAJIRAO UNIVERSITY OF BARODA, VADODARA Teaching12-6-20006-1-2014

 
Ph.D. Guidance Detail

Student NameTopicstatus
Sarang SharmaStudies into the origin and development of the Chamba school of Painting from mid 17th to mid 18th century - An analysis of the evolution of style patronage and subject matter in painting traditionRegistered
Tarushikha ShaktawatShifts in art patronage in medieval Western India: transforming visual culture from 13th century to 17th centuryRegistered
Shubhankar ChakrobortyMapping Discourse - A Study of the Programming of Depictions and Embellishments in the Terracotta Temples of Bengal from the 17th century to the 19th centuryRegistered
Jitto GeorgeTheorizing the Practice of Patronage: A Study In Post - Independence Indian Art Registered

Books Published

Book TitlePublisher NameISBNPublished Year
An introduction to Indian Art Part IINCERT 2020

Papers Presented

Paper TitlePaper ThemeOrganising BodyPlacePublished Year
Paradigms of representations: Articulations of ‘Nayikas’ in Indian Painting – Tropes, Prototypes, Performativity and the question of gazePathways of Art History: Re-reading the methodologiesDept. of Art History & Aesthetics and Faculty Fine Arts Alumni Association (FFAAA)Baroda11-2021
Modes of Representation of Feminine Aesthetics in PaintingFeminine Aesthetics in Art of Western IndiaIGNCA's Regional Centre VadodaraBaroda10-2020
Three chapters in the text bookWorkshop for development of text book for Class XII for Visual Arts, DEAA, NCERT, New Delhi, 20th -24th May 2019.Dept. of Education in Arts and Aesthetics, NCERT, New DelhiNew Delhi5-2019
 6th Regional Conference on Quality and Accreditation of Higher Education in India: Policy and Best PracticesHigher Education Forum – Gujarat Chapter & IQAC, The M S University of BarodaVadodara9-2018
 Past, Present, Future – Road map for NAAC’ 21IQAC, The Maharaja Sayajirao University of BarodaVadodara7-2018
0Emotional IntelligenceIQAC, The Maharaja Sayajirao University of BarodaFaculty of Social Work, The Maharaja Sayajirao University of Baroda3-2018
 Impact of Learning Resources on Enhancing Academic ProductivityIQAC and Smt. Hansa Mehta Library, The Maharaja Sayajirao University of Baroda.Vadodara9-2017
 Commodity, Resource or Heirloom? Investigating the Social, Economic and Ethical Values of Cultural HeritageDept. of Archaeology, The Maharaja Sayajirao University of Baroda, UNESCO and Durham University.Vadodara9-2015
 Interdisciplinary Workshop on Futures Past: The city in GujaratJointly organised under Partner initiative by MSU, Baroda and University of LeicesterVadodara12-2014
 National seminar- Indian Heritage: Perspectives and ProspectsJointly organized by the Govt. of Gujarat and The Maharaja Sayajirao University of Baroda.Gandhinagar, Gujarat1-2014
 3 days Workshop led by Professor John Clark on Asian ModernitiesSchool of Arts and Aesthetics, JNU, New DelhiNew Delhi11-2009
 Workshop for development of Textbooks on Visual ArtsDept. of Education in Arts and Aesthetics, NCERT, New DelhiNew Delhi6-2009
 Cultural Practice and Discourses of the ‘Minor’ UGC National Seminar, Department of Art History and Aesthetics, Faculty of Fine Arts, M.S University of BarodaVadodara8-2007
The Rationale of ‘Viewing’: Mapping the fluxed field of ‘Vision’ Comprehending the Generated Meaning(s) in illustrated PaintingsDRSTI: Experiencing Knowledge Visually, International SeminarIndia Habitat Centre, New DelhiNew Delhi1-2007
 Workshop on Archiving and DocumentationSchool of Arts and Aesthetics, JNU, New DelhiNew Delhi1-2006
Structuring an Analytical Model: Understanding the Sursagar PaintingsWorkshop and National Seminar The Technique and development of Rajasthani Miniature PaintingThe National Museum of India, New DelhiNew Delhi11-2005
 Architecture and Arts in the United StatesUSEFI - United States Educational Foundation in IndiaVadodara11-2004
Cultural Practices and Miniature Paintings. Second Theory / Praxis Workshop on Interrogating Cultural StudiesForum on Contemporary Theory and The Maharaja Sayajirao University of Baroda.Vadodara7-2004
 UGC National Seminar Issues of Art and Activism; the Artist and the HistorianDepartment of Art History and Aesthetics, Faculty of Fine Arts, M S University of BarodaVadodara3-2004
 Portraits in Indian MiniaturesThe National Museum of India, New DelhiNew Delhi3-2003
Intertextuality, Authorship and the Conundrum of Interpretation in the Sursagar paintings of Mewar.New Art History and Indian ArtDepartment of Art History and Aesthetics, Faculty of Fine Arts, The Maharaja Sayajirao University of Baroda Vadodara2-2002
 Three days National Workshop, The Politics of Representation: Visual and VerbalThe Forum on Contemporary Theory and Department of Art History and Aesthetics, Faculty of Fine Arts, M S University of BarodaVadodara10-2000
An Analysis: of Correlation between ritual and music as embodied, manifested and asseverated in the Sursagar paintingMapping of Medievalism -Medieval: Aspects and ConceptsUGC DSA Department seminar, Dept. of Art History & Aesthetics, The Maharaja Sayajirao University of Baroda.Vadodara3-2000
 three days National Workshop, Pichhwais: Temple Hangings of the Vallabha Sampradaya, conducted by Dr. B. N. GoswamySarabhai Foundation AhmedabadAhmedabad1-1999
 three days National Workshop, Indian Miniature Painting conducted by Dr. B N GoswamySarabhai Foundation AhmedabadAhmedabad2-1997
 15 Days Ajanta Site Seminar Department of History of Art, University of Michigan, Ann Arbor, USAAjanta Caves, Maharashtra7-1995
Ragamala PaintingsLiterary TextsDepartment of Art History and Aesthetics, Faculty of Fine Arts, The Maharaja Sayajirao University of BarodaVadodara3-1989

Published Articles/Papers in Journals/Edited Volumes

TitleJournal NameVolume No.Page No.ISSNPublished Year
Examination of Three Hero-Stones from Chamba, Himachal PradeshHeritage Journal of Multidisciplinary Studies in Archaeology 10414-429234754639-2023
The Rationale of ‘Viewing’: Mapping the fluxed field of ‘Vision’ Comprehending the Generated Meaning(s) in illustrated PaintingsRATNA DIPA: New Dimension of Indian Art History & Theory: (Essays in Honour of Prof Ratna Parimoo)    6-2023
Paradigms of representations: Articulations of ‘Nayikas’ in Indian Painting –Tropes, Prototypes, Performativity and the Question of GazeIGNCA Newsletter Vadodara Chapter   6-2023
The Unusual Set of Krishna Balaram Paintings from the Province of KutchInternational Inventive Multidisciplinary Journal101-7 2-2023
A Comparative Development of Creative Arts in Modern IndiaCreative Arts in Modern India, (Volume II), Ratan Parimoo and Shri. Indramohan Sharma (Ed.), Books and Books, 1995  81850164614-2020
Important events in the life of Maharaja Sayajirao GaekwadThe Legacy: Raja Ravi Varma - The Painter, Ratan Parimoo (ed.), Maharaja Fatehsingh Trust Baroda, 1998   4-2020
The Catalogue and Notes on the Paintings of Raja Ravi Varma in the Baroda Gaekwad CollectionThe Legacy: Raja Ravi Varma - The Painter, Ratan Parimoo (ed.), Maharaja Fatehsingh Trust Baroda, 1998   4-2020
Intertextuality, Authorship and the Conundrum of interpretation in the Sursagar Paintings of MewarTowards a New Art History: Studies in Indian Art, Shivaji K. Panikkar, Parul Dave Mukherji and Deeptha Achar, (Ed.), D. K. Printworld (p) Ltd., 2003. 211-220 4-2020
Krishna in ArtExhibition Catalogue, Sarjan Art Gallery, Baroda 2 - 7 4-2020
From Scriptures to Seva: The Case of Refashioning Authority in the Vallabha Sampradaya and the Haveli CultArt of Medieval India: Contextualizing Social Relations, Shivaji K Panikkar and Abha Sheth (ed.), The Maharaja Sayajirao University of Baroda Press 28-41 4-2020
Metamorphosis of Words into PicturesNIRUKTA, Deepak Kannal (Ed.), The Maharaja Sayajirao University of Baroda Press 76-87 4-2020
Sedulous Zeal: Unfaltering, Unflinching, Unwavering Essay on exhibition of Graphic printsArt and Deal Vol. 4, No. 4, Issue No. 22, 2007 pp. 11-17 4-2020
But are We Ready To Alter, Exhibition review - Arunanshu ChowdhuryArt and Deal Vol. 5, No. 1, Issue No. 23, 2007 pp. 102-105 4-2020
Art Forms and Forms of Art- Beyond Definition, Exhibition Reviewartconcerns.com. e journal   4-2020
Imagined Realities - Exhibition reviewMattersofart.com e journal   4-2020
Red Earth Gallery Annual show, Exhibition Reviewmatterofart.com. e journal   4-2020
Some conundrums in Krishna Paintings A Festival of Krishna, Harsh Dehejia (ed.), Roli Books, New Delhi 375-37697881743651254-2020
Parimoo’s Chaurapanchashika: Iconography of a Nayika, Jehangir Art Gallery, 16th-22nd Jan.2008Exhibition Catalogue   4-2020
Parimoo's Chaurapanchashika: Iconography of a Nayika Exhibition Reviewartconcerns.com e journal   4-2020
Hub 2008 A Contemporary Parampara, Catalogue Essay for an exhibition of twenty four artists, Baroda, 12th – 19th Oct. 2008Exhibition Catalogue   4-2020
Hub 3 2010, Catalogue Essay for an exhibition of twenty-one artists, Baroda, 27th – 30th Nov. 2010Exhibition Catalogue   4-2020
Hub: Contemporary Parampara - Overviewartconcerns.com, e journal   4-2020
Feb Group Show 2008 Exhibition reviewArt India Magazine 22 4-2020
In Pursuit of the Trivial: Indrapramit RoyArt and Deal6Vol. 6. No.1, Issue No.27, 2009 pp. 104-107 4-2020
Exhibition review, Feb Group ShowGallery of Modern Art, Mumbai, 6th–15th Feb. and The Red Earth Gallery, Baroda, 20th Feb. – 8th Marchartconcerns.com, e journal   4-2020
There are in our existence spots of time Heeral Trivedi Exhibition ReviewArt and Deal Vol. 6, No. 2, Issue no. 28, 2009 pp. 124-126 4-2020
Constructing the Memory of a Room: A Journey between Resurrection and Enshrinement - Gargi Raina -ProfileArt and Deal Vol. 6, No. 4, Issue No. 30 pp. 76-80 4-2020
Jyotsana Bhatt: ProfileArt and Deal Vol. 6, No. 4, Issue No. 30 pp. 49-51 4-2020
Cutting Chai Exhibition reviewIndian Contemporary Art Journal Vol. 1, Issue III pp. 69-70 4-2020
Clamoring for Space: ‘Women’ as ‘Artists’ in the Early 20th CenturyHistorical Development of Contemporary Indian Art 1880-1947, Parimoo Ratan and Sarkar Sandip (ed.), Lalit Kala Akademi, New Delhi 365-37981875073574-2020
Novel Trends in SculptureVARTA Vol. 2, No. 1, 2010. pp. 10-17 4-2020
Ganjifa - Prints on a deck of Cards Exhibition reviewArt and Deal7Vol. 7, No. 1, Issue No. 31, 2010. pp. 163 4-2020
Bhupen Burman: A Retrospective Exhibition reviewArt and Deal Vol. 7, No. 2, Issue No. 32. pp. 161-162 4-2020
Moving Cities Exhibition review of Maneesha Doshi's worksArt and Deal Issue 34, Vol. 7, No. 497881909969144-2020
Select catalogue entries of artists Vernacular in the Contemporary (Part I), Annapurna Garimella, Devi Art Foundation, New Delhi, 201111 & 6197881921393024-2020
Select catalogue entries of artists Vernacular in the Contemporary (Part II), Annapurna Garimella, Devi Art Foundation, New Delhi, 2011. 3 & 4197881921393024-2020
N C Mehta: An aficionado of Indian Music N C Mehta Collection: Gujarati School and Jaina Manuscript Paintings, Vol. I, Ratan Parimoo, Gujarat Museum Society, Ahmedabad 2010 20-2397881920446064-2020
Catalogue Essay, Tribal and Folk Art, Red Earth Art Gallery, BarodaExhibition Catalogue,Red Earth Art Gallery, Baroda 1-14 4-2020
Review of ceramic artist Vinod DarozBombay Art Journal   4-2020
Parimoo's Chaurpanchashika: Iconography of a NayikaKala Traimasik, Lalit Kala Akademi, UP, (ed.) Awdhesh Mishra3868-71 4-2020
Her Presence in Mewar Paintings of SursagarRadha: From Gopi to Goddess, Harsh Dehejia (ed.), Niyogi Books, New Delhi 2014 59-67 4-2020
Rajasthani Ragamala PaintingsN.C Mehta Collection, Rajasthani, Central Indian, Pahari and Mughal Paintings, Vol. II, Ratan Parimoo (ed.), Gujarat Museum Society, Ahmedabad  145-194 4-2020
Women’ as ‘Artists’ in the Early Twentieth Century Gender and Art, Women’s Studies Research Center, Faculty of Family and Community Sciences112-14 4-2020

Refresher/Orientantion Course

NameCourse TypeOrganising UniversityOrganising InstituteOrganising DepartmentCentreStart DateEnd Date
Refresher course in Fine and Performing ArtsRefresherHRDC University of Madras, ChennaiHRDC University of Madras, ChennaiHRDC University of Madras, ChennaiHRDC University of Madras, Chennai 28-10-202010-11-2020
38TH Orientation ProgrammeOrientationUGC – HRDC, Sardar Patel University, Vallabh VidyanagarUGC- HRDCUGC- HRDCUGC-HRDC 21-8-201717-9-2017
In Service course in Methodology of Teaching for Fresh and newly appointed Lecturers Staff training conducted by the universityThe Maharaja Sayajirao University of Baroda.Center of Advance Study in EducationFaculty of Education and PsychologyDept. of Education 15-9-201425-9-2014

Participation in Academic Bodies of other Universities

Academic BodyParticipated AsSubmission Date
Board of Studies, Parul UniversityMember, Board of Studies5-4-2020

Participation in Committees of University

Committee NameLevelParticipated AsSubmission Date
IQAC COMMITEEUniversityFACULTY COORDINATOR24-6-2023
IQAC COMMITEEUniversityFACULTY COORDINATOR24-6-2023
IQAC COMMITTEEUniversityFACULTY COORDINATOR8-4-2021
IQAC COMMITTEEUniversityFACULTY COORDINATOR8-4-2021
IQAC COMMITTEEUniversityFACULTY COORDINATOR8-4-2021
IQAC COMMITTEEUniversityFACULTY COORDINATOR5-4-2020
IQAC COMMITTEEUniversityFACULTY COORDINATOR5-4-2020
IQAC COMMITTEEUniversityFACULTY COORDINATOR5-4-2020
IQAC COMMITTEEUniversityFACULTY COORDINATOR5-4-2020
IQAC COMMITTEEUniversityFACULTY COORDINATOR5-4-2020
IQAC COMMITTEEUniversityFACULTY COORDINATOR5-4-2020

Awards

Name of Awarding AgencyDetailsAddress of Awarding AgencyLevelDate
University Grants Commission For Ph. D UGC of India New DelhiNational15-6-1994
University Grants Commission For Ph. D UGC, New Delhi.National15-6-1992
Nehru Trust for the Indian Collection at the Victoria and Albert Museum, LondonFor documentationNehru Trust for the Indian Collection at the Victoria and Albert Museum, Teen Murti Bhawan, New Delhi. International1-1-1994

Extension

NameActivitiy NameLevelSponsered NameDate
Two days workshop on technique of enameling and jewelry makingDevelopment of craft skillsCollegeOthers5-2-2001
Creative skills development for childrenDevelopment of craft skills and creativity using various mediums, objects and techniquesCollegeOthers5-11-1997
Creative skills development for childrenDevelopment of craft skills and creativity using various mediums, objects and techniquesCollegeOthers20-2-1996
Workshop on drawing and paintingDeveloping creativity in childrenCollegeOthers15-3-2000
Tie and Dye and Technique of Enamelling Interacting with adults and introducing them to various craft methodsCollegeOthers12-11-1997
15 days workshop on creative activities and skills for childrenDevelopment of craft skills and creativity using various mediums, objects and techniquesCollegeOthers10-5-1998
10 days Creative activities for childrrenDevelopment of craft skills and creativity using various mediums, objects and techniquesCollegeOthers1-5-1999
Creative activitiesworkshop with children aged 3 to 12, engaging them with motor skills and creativityCollegeOthers1-4-2000

Teacher Talks

TitleParticipated asPlaceDate
Exploring Baramasa: The Ritu Kavya, A Talk on Baramasa PaintingsInvited SpeakerAhmedabad27-6-2025
Swaras, Ragas and Ragamala PaintingsInvited SpeakerBengaluru15-6-2025
‘Play: Experiments with Indian Miniatures’ on ‘Narratives in Miniature Painting.Invited SpeakerBengaluru7-10-2023
IGNCA Regional Center Vadodara Foundation Day celebration on ‘Tales and their Pictorial Tellings – Tradition of Manuscript Illustration.Invited SpeakerVadodara19-3-2023
Taking Stock: The State of Art History in 21st Century India’ organised by Centre for Art and Society BarodaDiscussantVadodara17-3-2023
Folk and Tribal Art and Indian AestheticsResource MemberIndian Institute of Craft and Design, IICD - Jaipur6-10-2014
Introduction to Indian and Western ArtResource MemberAhmedabad18-8-2014
Indian art and AestheticsResource MemberIndian Institute of Craft and Design, IICD - Jaipur8-10-2011
Exploration in Tribal and Folk Art forms of India Resource MemberIndubhai Parekh School of Architecture, Rajkot.4-10-2010
Concept of Visual Narrative and Use of Narrative Devices in Traditional Indian PaintingsInvited SpeakerFor Post Graduate Graphic Design students from Institute of Design, Ahmedabad22-7-2010
History of Art Resource MemberSchool of Interior Design, Institute of Environmental Design, D.C. Patel School of Architecture, Vallabh Vidyanagar, Gujarat5-1-1998